![]() Learning what each of them are can help you make informed decisions on how to tell your stories visually and produce the response you want from your viewer. The important lesson here is that every camera movement or technique can have a different emotional and psychological effect on your audience. Francis Ford Coppola used zooms to this effect in his 1974 psychological thriller The Conversation-the camera became less an eye through which the audience could see events unfold and more a lens through which the audience could surveil each character. Zooming can also be used to give viewers a sense of paranoia. Because a zoom compresses the background and flattens the shot, it can cause the audience to feel claustrophobic or force them to fixate on a single subject. Zooming, on the other hand, is a magnification of the frame rather than a camera move, so it has very different emotional and psychological effects. Zoom, the children’s program with the infectious theme song that first aired a half-century ago, took an odd turn at the very beginning. This can allow them to feel a certain intimacy with a character, or feel more present in the scene. ![]() Connolly describes dollying in as the viewer walking toward a subject. ![]() For example, using a dolly to push in, to move the camera closer to a subject, gives the viewer a sense of being in the same space as the subject, or within the diegesis.
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